1/13/2024 0 Comments The who live![]() Pure-tone audiometry was the most frequently reported measure to test hearing in older adults living with dementia. There were 193 scientific papers included in the review. To identify valid and reliable screening measures that are effective for the identification of hearing loss and are suitable for use by nursing staff providing care to residents with dementia in LTCHs.Įlectronic databases (Embase, Medline, PsycINFO, CENTRAL, and CINAHL) were searched using comprehensive search strategies, and a stepwise approach based on Arksey & O'Malley's scoping review and appraisal process was followed. Sensory declines can have deleterious effects on functioning and contribute to frailty, but the hearing needs of residents are often unrecognized or unaddressed. And, especially in quarantine, it comes to life on tape.Hearing loss is highly prevalent in older adults, particularly among those living with dementia and residing in long-term care homes (LTCHs). It’s a small, socially un-distanced miracle. The thrill of listening closely to great musicians, working on a stage and captive to the moment, can be overwhelming, even if you didn’t witness it in person. Let’s make the same effort with live music, which is made not over years but on a moment’s whim. “They struggle over syllables, melodies, bridges and rhythms.” And then we consume it as background music, with little regard for the painstaking subtleties.” Roberts suggests we try listening to these works the in much the same way that we read books or watch movies: with our full attention. “Musicians spend years making their albums,” journalist Randall Roberts wrote in that piece. Back in March, The Los Angeles Times published a handy quarantine guide to doing just that (tips include: “please don’t turn the volume up to 11”). Still, there’s much to be said for occasionally closing your eyes and letting the sounds simply take over – for letting those manic chords in ‘Magic Bus’ truly rattle your bones. That’s part of their art, and it’s thrilling. Of course, many artists, from The Who to Beyoncé, emphasise heavy visual components when performing live (impressive digital backdrops for the former a marching band for the latter). I could write 800 more words on live recordings that surpass the studio versions, but here are nine to start: Pearl Jam‘s ‘Black,’ from 1998’s ‘Live on Two Legs’. Or take fun-punks IDLES: I was already a fan when they released ‘A Beautiful Thing’ last year, but that live version of ‘Colossus’ – with its slower, far more menacing intro – made the original version irrelevant to me. I had tried to get into indie provocateurs Car Seat Headrest, for example, but it just wouldn’t take – until I heard ‘Commit Yourself Completely ‘, their 2019 live album, which I can’t stop playing. Live albums, not just live shows, have turned me on to new music and deepened my appreciation for the familiar. But what about the purely musical components of a concert? The adjusted vocal melodies, the freshly accented drumming, the tiny textures and harmonies that aren’t present in studio recordings? These are perfected by musicians with almost feral understandings of each other – people who spend months crammed together in vans, who sweat all over each other on stage, who know what a look in the eye or a kick of the leg means for the next note.īeyoncé live at Cocahella: one for the history books All of these rituals help to turn a great concert into unforgettable one. Grohl is right to point out the tactile aspects of going to a show: moshing, dancing, high-fiving a stranger when you share a favourite song.
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